Thoughts

News feels like a constant rain, a subject as pervasive as weather. Keeping up on news is a way of keeping conversational. But not here... Here, I never feel like talking about the news. I feel like, if I talked about news, I'd be a big phony, like the phonies Holden Caulfield calls out all throughout Catcher in the Rye. And Catcher in the Rye is what Marie-Hélène and I are reading right now... Then, this week, Tyler Cowen wrote why he didn't feel like writing about "various topics" on Marginal Revolution, and I suddenly felt the same way... words to a feeling, someone else expressed better than you. At number 1: "1. I feel that writing about the topic will make me stupider." And stupid is a good word... it means "Emotionally, morally, or spiritually dull, numb, or indifferent; lacking in natural feeling, moral sense, or spiritual awareness."

Fandom

I follow any link that leads to more Robert Caro, and Kottke served up one to another recent interview, by Chris Heath, with more writing tips! Like routines: "When not beset by distractions, Caro keeps to the same work process he has had for decades. He rises early, puts on a jacket and tie, and walks to his nearby office, picking up a croissant and coffee on the way." And admiration for Ernest Hemingway, from whom he learned, “Every day, you write first before you do anything else. That was a rule. And I followed that.” And a quote from the eulogy he wrote when Hemingway died:

The Ernest Hemingway who was a legend in his own lifetime was the bearded, barrel-chested central figure in a boisterous tapestry of gin and bananas and giant marlins. But the Ernest Hemingway who created the work that will be remembered in centuries to come was the man who, for 40 years, dragged himself out of bed at 5 a.m. to begin long mornings of loneliness before unyielding pads of yellow paper.

Drawing

I never really understood Lynda Barry's excitement over drawing with young children until this week when a friend's 5-year-old showed me his sketchbook, and critiqued mine. He added missing wings to a bird I'd doodled, and took inspiration from a grid I'd drawn. I got to admire his spontaneity, his wonderful unself-consciousness. We inspired each other, we doodled subjects we could think of on the spot. Now I get it, when she said in her typewriter interview with Austin Kleon: "This summer I spent 3 days a week drawing with [4 year olds]. [...] They changed me in a deep way in 3 months. A feeling of aliveness and realness is what they gave me all the time."

Cooking

Ali Slagle's Mighty Meatballs! Served on top a soft heap of mashed potatoes, with a few bright peas on the side for colour and slices of baguette. Comfort food to the max!

Postcards

This week begins the long slow spring melt, when warm days turned back snow to slush, then cold days return and make the slush into ice. The colour palette is limited... but the Red River looks blue at this time of year, and that is when it is prettiest.

Also... a view of the trees planted last year in Henteleff, awaiting the warmth to grow a little more...