Watching period dramas

My husband and I have a weak spot for period dramas: Outlander, Bridgerton, Medici… I remember excitedly comparing plot twists in Medici with the textbook I had for a class on the Italian Renaissance. As the seasons go on, it often feels as though the initial excitement wears off: characters develop predictable habits, love scenes follow a worn-out pattern, the show relies on plot development alone to maintain interest.

Take Medici for example. Season 3 opens with Lorenzo off to try and protect Florence from war. A council (called Priori) votes against going to war and Lorenzo goes home to his pregnant wife (see here, she strokes her belly, and there, again). His accountant and mother inform him, just like that, that he has no money to go to war. Lorenzo feels he needs to defend Florence, but doesn’t want to assume power to do as he thinks best. He wants consensus. The shots of his face can all be classed into a single category: Lorenzo is pensive. A monastery is taking in wounded mercenaries and monks quibble about caring for non-believers in a decidedly 21st century way. Lorenzo sends his wife and children away from the city (obligatory goodbye scene), and Lorenzo resigns from the council. There is a sprinkling of scenes of artists painting things. In one, a young painter labours over a line of green paint on buckling paper. Lorenzo goes to visit Leonardo da Vinci who is dissecting a cadaver (nbd) and confidently (nay, with swagger!) expresses an agnostic point of view, telling Lorenzo to live his life as he sees fit.

At this point you might as well throw up your hands and just accept the fact that what you are watching is a 21st century drama with pretty Italian Renaissance set decor and pigeons bearing imitation-calligraphy messages for cellphones.

I suppose this is why I was reluctant to get into The Last Kingdom. However, episode 2 of the first season has the main character Uhtred hiding and crying after killing an enemy, a playful relationship between him and Brida, and scenes wherein the characters aren’t sure about what to do next as they grapple with the constraints of the period.

The writing is alive, and I’m surprised to discover how “show don’t tell” applies just as much to a visual medium as it does to writing. So here’s a love note to the writers of The Last Kingdom, season 1: I noticed your work and I’m enjoying it!

The ways in which I'm lucky

I walked the dog this morning, came home, boiled water and made tea. I took off the damp cloth from the bundt pan containing 20 frozen dinner rolls and poured melted butter over them and then covered them in grated Cheddar, and returned the cloth to the pan. I ate an apple and cheese Ritz bits in alternating mouthfuls, feeding the apple peels to the puppy. I tethered the puppy to his sunny spot in the living room, went downstairs and transferred the load of darks to the dryer and started a second load of darks. And now I sit here at my desk, having read two Oliver Burkeman articles relating to creativity, and looking forward to continuing Titan while imputing names into a spreadsheet.

Memories of my Grandma

My Grandma died the other night, at age 92. I’m pretty sure she was 92. Maybe she was 93 but I don’t feel like checking, and what is another year added or subtracted when decidedly, it can be said, she was old.

I don’t know if you’ve ever felt this way when someone you knew died, but I get this urge to reach out and collect the stray memories. Death slips a person away and my thoughts eddy around the feeling of disruption. What place-keeper should I put to fill the new empty space?

I used to worry that snippets of memory didn’t count, especially on so large an occasion as death, but this short essay by Brian Doyle convinced me otherwise. It begins:

You will say to me that time passeth, that What Was is now only memory, that we cannot reclaim or resurrect that which is inarguably past, but I am going to quibble about this, and quiz and question you hard and close, for I don’t even have to shut my eyes and it is six in the morning, long ago and right now, far away and right here, and it is snowing heavily, and there is a silvery shiver to the world, and the house is silent except for how it sighs sometimes when it remembers the forest it used to be, and I am huddled deep under four blankets, and I know without even opening my eyes that everyone else in the house is asleep, for when you are a child you have the most extraordinary senses, and can tell the color of a bird by its song, and the day of the week by the thrum of the rain, and how amused or annoyed your dad is by the tilt of his hat. Why do we not sing these things as miracles?

And so, when I think of my Grandma, I’m transported to that summer day in Saskatoon when we are walking from Midtown Plaza and crossing 1st Ave to 21st Street. A car, its windows down, veered in front of us and Grandma called the driver a jerk for cutting us off. The driver’s response was to slow the car’s pace and follow us down the block while yelling insults at my Grandma. The whole thing was a fluster in my single-digit years, when my parents were the type of adults who discouraged me from saying “Geez” like my friends at school because it sounded too similar to “Jesus”. Thinking of Grandma, I think of food, of the way she added diced ham to scrambled eggs, or how she baked apple pies and white-wheat buns. These things were good and unpretentious.

I think I’m learning to be fine with the ambiguities of a person at their death. I think I can begin to agree with Elizabeth Bishop: “The art of losing isn’t hard to master;”…

Breakfast muffins

This morning I woke up from a dream, wherein I was eating out with Rita when a cook from the kitchen emerged with a roll of fried bacon that she set on a group’s table and demonstrated how it was to be unspooled over a metal bracket and cut to desired size with a fork. The cook was shiny with grease and the heat from frying the bacon and setting it on a spool almost blistered her throat.

Far less salty are these muffins I once served for brunch years ago. When I made the recipe more recently, hoping the children might like them in their lunches, they balked at so much fibre. I passed the muffins along to my mother-in-law who found them excellent. We’ve made it a routine: she’s happy to accept them, and I’m happy to make them.

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Blueberry, Oatmeal and Flaxseed Muffins
From Merrill Stubbs on the website Food52

2 cups whole wheat flour
5 ½ cups rolled oats
1 ½ cups light brown sugar
2/3 cup plus 1 tablespoon ground flaxseed
4 teaspoons baking soda
1 teaspoon baking powder
4 teaspoons ground cinnamon
2 large eggs, lightly beaten
1 cup neutral oil (vegetable, olive, and coconut are good choices)
2 cups buttermilk
2 cups blueberries (or use other fresh berries, or dried berries)

Heat the oven to 350°F and line 2 standard-sized muffin pans with paper liners. In a large bowl, stir together the flour, oats, brown sugar, flaxseed, baking soda, baking powder and cinnamon.

Add the eggs, oil, buttermilk and ¾ cup water. Mix until the dry and wet ingredients are just combined, and then fold in the blueberries. Spoon the batter into the muffins cups, filling each cup right up to the top, and bake the muffins for 20 to 25 minutes, until a toothpick inserted into the center comes out clean. Cool in the pans for 5 minutes, then turn out onto a rack and cool completely before serving.

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Vicarious passenger

I miss libraries. Perhaps that says a lot about the sort of person I am… the kind who finds that of all the COVID restrictions, not being able to browse books is the first complaint that comes to mind. Fortunately, the university has made many texts available online, and this morning I have an article to read.

If I make myself too comfortable for this task, I tend to doze off, so I read sitting at my desk. My desk faces a wall and to remedy the non-view and the perfect-ennui sound of a ticking clock, I pick a train video from Youtube and pretend I’m a passenger, somewhere in Europe. Today I’m in Norway: https://www.youtube.com/watch?v=Q5t2RZj1ZkQ A few weeks ago, I was in Sweden: https://www.youtube.com/user/lorirocks777

Louis Riel Day

It’s Louis Riel Day here in Manitoba and the best thing about this day is a picture of my dad posing at Riel’s gravesite in Saint Boniface when he was still a young man from Rosetown Saskatchewan, only passing through Winnipeg.

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Childhood pictures

This is me at one or two, but not three:

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There are a lot of feet in this picture. It’s warm, but my parents are wearing jeans. Mom favoured flip flops for herself, but outfitted me with solid sandals that must have been exercises in patience to buckle. The decor at my grandparents place is full of brown, caramel and orange tones.

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Sight-seeing, mom outfitted me in a bonnet. Her mauve stripes and my dotted onesie go together nicely.

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Here, a hat, and perfect tresses, a pretty colour combination of white and yellow and pink.

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It’s funny how viscerally I remember some clothes… This jacket was a comfortably-soft cotton middle-season jacket, with buckles that were decorative and a little fussy.

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Here, I’m 5 and my brother has entered the scene. I have solid pink sandals and a red purse with a cat on it. The purse is used to transport Nuggles, my tiny stuffed bunny whose nose I would stroke falling asleep in bed. The beige bag is a diaper bag that I’m helpfully carrying.

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Mom is painting the apartment closet and wishing for a house - and her face is pretty and youthful. I’m wearing a turtleneck. Mom was fond of using turtlenecks under sweaters. This style soaked into me and even when I tried wringing it out, this turtlenecks, turtlenecks, turtlenecks everywhere, it came back this year…. I’ve embraced their cozy-neck feeling and face-framing look.

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Mostly, when looking at pictures from my youth, I notice mom’s attention to detail and her pursuit of aesthetically-pleasing portraits. That Pa was able to catch her at it probably earned him a chiding remark, and this spontaneous pose makes me smile. Mom liked pictures that were posed. I’m not sure if now, my pursuit of spontaneous moments is something from my dad, something that is generational, or something in reaction to all the posed moments of my childhood.

That cliché about kindness

Being kind is the sort of platitude even children get tired of hearing. In The Happiness Project, Gretchen Rubin writes “One conclusion was blatantly clear from my happiness research: everyone from contemporary scientists to ancient philosophers agrees that having strong social bonds is probably the most meaningful contributor to happiness.”

It’s one of those things that, heard so often, can sound cliché. But take this snippet of an interview from the Longford podcast, at 32 minutes, when Katie Engelhart says this: “Another observation I had, while writing this book and also other projects, [is] when someone is sick or dying and suffering, I think they can become - selfish is the wrong word, because it’s negative, but - really focused on themselves. I mean it’s something I notice all the time. Usually on an assignment, if I’m asking questions, people have questions about me, about my work and my job. When someone’s really sick, or they’re dying, they don’t ask those questions that much. They’re busy.” Isn’t it fascinating? Because it takes this cliché about kindness that feels a little shallow: be nice to people and you’ll feel better; and adds depth. Dying is this inward focused energy and living is outward focused and a sign of health is this out-going act of care for others.

Data entry

Since January I’ve been sitting at my desk and devoting hours to transcription and data entry. Eventually the data will pile up nicely and provide statistics. Then I’ll gather the statistics like wildflowers and put them into a graph like a bouquet.

Because the task is detailed and long, I listen to audiobooks on Libby. My favourite books are biographies. I agree with Rumaan Alam who commented on the Slate Working podcast, “I find them a very satisfying form when done well. (…) Biography can be stodgy in the wrong hands, but with a good writer, it’s not unlike eavesdropping - what could be more fun?”

I have enjoyed Empty Mansions by Bill Dedman and am 13 hours into Titan: The Life of John D. Rockefeller by Ron Chernow. I had no idea that there were oil refineries for crude oil before there was was a use for gasoline.

082 - pause

I like entertaining. I like planning meals and inviting guests, baking dessert, sharing a new recipe, and going with the season. I like dressing up, if only just a bit and talking with guests in the living room. I like being the hostess and slipping away to the kitchen to move the supper along. But do you know the best feeling of all? It's peculiar and I think it only favours the introverts among us... it's when there's a reason – just before the meal, or maybe after when the kitchen is full of the clamour of dishes – to slip outside into the summer evening air even if only to put something in the garbage, where there is no one... You leave the noisy house and close the door and it is like a brief palate cleanser for the brain, from noise to nature, from performance to uninhibited calm. Notice the sound of a cricket, or neighbourhood kids in a game that doesn't concern you, or the blue of the sky, or the stripes on the moth's wings as it rests against the stucco.

081-School

School has started. In this case, the sentence should have an asterix. School has started.* And then the asterix would detail the provincial guidelines and then how those guidelines were interpreted by the division and how the principles then made plans for their school, and how the teachers took those plans and put them in place in the classroom. It's like a line forming to pass buckets from the well to the fire, each bucket sloshing a little on the way over to the fire.
In grade three, our teacher taught us how to play telephone, where she whispered something in the first student's ear, and then that whispered thing made its way, student to student up and down rows of desks in a 24 student classroom before landing back in the teacher's ear at the other side of the class. I thought the point of the game was to distort the sentence and so I added a phrase. It was something about Santa Clause coming, and I added that he'd be wearing black boots. And then, when it was time to repeat aloud the sentence we thought we'd heard, one student at a time, backwards from the end, I realized my mistake and was embarrassed. The student I'd whispered to said that black boots line aloud, and I did not, as though they had invented it, rather than hearing it from me. I was teacher's pet in grade three and did not want to risk losing that special feeling. I liked to seem smart, as when I answered a question about when one might have bad posture, and I offered "when sweeping" as an answer and was praised.
So school has started.
When I write about something in the present, I feel hamstrung. I don't know what to say about it. My opinions are half-formed. We bob along like players in a game of dodgeball.

080-RIP dear e-Book

About five years ago, I had an idea. I thought it was brilliant. I wanted to gather into a single spot all the businesses that were local to Winnipeg. I’d research these businesses, find out when they opened, who were their owners and what made them unique. I settled on a format: an e-book with links and descriptions, but no pictures. 

An e-book has the quality of being semi-permanent, semi-concrete. I could update it yearly, I thought, almost like a magazine. It could leave its electronic confines and become a printed document. Online, it would link to businesses: click on the link and there’s the business. For this, I’d charge a few dollars.

I collected over two-hundred businesses and fit them into four neat categories: things to buy for your baby, for your home, for yourself, or as a treat. There were subdivisions too. Home included antiques, furniture, pottery, and plants. For yourself included accessories, jewelry, beauty products, clothing designers and vintage clothing shops. Treat sources included cookie makers, chocolate artisans, candy stores, coffee shops and local honey producers. I wanted it to be as comprehensive as possible. I wanted the reader to feel as if they could recognize small business owners and be familiar with craft sale vendors. For this, an e-book seemed uniquely placed to do the job: it did not require accounts to be followed on social media, and it was more immediate than write-ups featured in the newspaper. To create this feeling required research, and research was something I enjoyed. 

Historians are sometimes hired to sleuth through documents that provide proof in legal cases. A lawsuit against a school division can send a historian deep into class attendance lists and correspondence in cursive blue ink. Accumulating clues that fill in a picture for a specific person or place is incredibly exciting for a person like me. And so, it is not surprising that I used the same approach to fill in the individual portraits I painted for each business. I liked this. I liked learning about each business. Accumulating details with whatever was available online in newspaper archives, blog posts, magazine interviews and social media made me appreciate each entrepreneur’s story. Entrepreneurs, after all, have courage I don’t. They can sell a product and I cannot.

I involved my friend’s mom in the editing of the e-book. She is a grammar whiz, and I asked her to keep me accountable. Between December 2018 and March 2019, I would send her a few pages of the writing I had done for one category or the other. Summer 2019 was busy. My brother invited us to his wedding which became the reason for a road trip to BC where we camped and spent time with family. In the fall, I made some revisions, and then, determined to ship this project that had been occupying my mind for so long, published the e-book on Amazon and notified a portion of the business owners who were mentioned in it. Surely, they would be delighted by my thoughtful words. Word would spread. Who knows, I thought, maybe I’d be interviewed on CTV morning live.

I received some positive responses, but it wasn’t long before some glaring mistakes were revealed. And then, the thing that sleuthing historians are good for became a quality not all business owners appreciated. Some strongly preferred anonymity. Others were rightly annoyed that they had not been consulted first. I’m so sorry, I wrote. I’ll fix the mistakes, I wrote. 

In a Q&A video on her vlog, Ariel Bissett once described how the hardest thing about freelancing is the uncertainty around self-made projects. The e-book was very much a self-generated project. I wanted to produce something useful and perhaps earn some money as well. Earning money would be a form of validation. However, when a project isn’t a success, when it meets obstacles, self-doubt creeps in and takes up residence. The comments were not so much negative as they were instructive. If I was to honour the idea I had for this project and satisfy the people who were its subject, I would need to devote more time and care into ironing out the flaws - on top of what had already been done. For every day that I delayed, I accused myself of losing my nerve. For every sad thought, there was a slap in the face of my own hubris and naiveté. I wanted to prove I was neither too sensitive nor too lazy. Worrying over the time it would take to execute the corrections, permissions, and revisions that were in order might be construed as laziness. For the winter of 2019, I put the e-book aside and concentrated on school work. It so happened that the number of classes I took and the tutoring job I had, filled my plate. I did not feel guilty for prioritizing these things.

In the beginning of 2020, I reasoned that I would have more time. I procrastinated awhile and then the pandemic arrived and I felt absolved. No one was going to be shopping. But shops re-opened and I told myself that small businesses could use support. I tried mustering up the courage to dive back in and yet, every time I thought of the e-book and the work, and the ever-changing landscape of small business, I could not envision dedicating all the time and effort the idea deserved. 

Today, August 26th, I was again thinking about the project, and for the first time I felt my attachment to the idea loosen. This e-book was a good idea, I had good intentions, and it was well-written. The resources the final product would require, however, are too much for me. So I’m letting it go. I’m also releasing myself from the shame I have felt for failing my own idea. 

One thing this project has yielded is a gorgeous e-book cover. I asked my sister Anna to design it, and she did a brilliant job! Thanks Anna! And thanks to everyone who understands the folly and infatuation of following an idea.

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079-Grandma's purses

Purses are that feminine accessory, useful for stashing Kleenex and cash, that can offer a parenthetical comment on a person’s taste. In television shows, they are often meaningfully chosen; a character named Rita, for example, is a rebel, and rather than have a purse, she has a soft cloth tote that magically produces the thing she needs while always looking light. In real life, women can choose purses without considering character implications. But gathering snapshots of purses over the course of a woman’s life can say something about them and about the style periods in which they lived.

In the 1950’s for example, Grandma chose tiny purses. 

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Perhaps the most novelty shaped purse Grandma owned was a box bag. (A similar style was in this 1953 Sears catalogue.)

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In this picture, her friend also has a box bag.

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She wasn’t tied to rigid designs though. Here is a soft gathered kind, and while the fifties were a decade when style guides encouraged matching accessories, Grandma preferred not to get hung up on details.

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Even as a new mother, Grandma had a small black purse.

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Then, as her family grew and her children grew, so did her purses.

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One of her purses had a floral tapestry design, like these ones in a 1961 Sears catalogue.

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Grandma seemed to have a fondness for black purses with metallic embellishments.

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But there were brown purses, and cream and beige purses, and very slouchy purses too.

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And I noticed, combing through a few hundred pictures, that sometimes Grandma didn’t want her purse in the picture, so it was put to the side, or to the front. But those purses would sneak in anyway. She noticed this too, because on the back of the last picture she wrote: “best picture of my purse.” She was in on the joke.

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077-Politics

Did you know there's a political scandal going on here in Canada? It involves our prime minister and the WE organization and their for-profit arm called ME to WE. I always suspected something bad would come of their neat displays of colourful office supplies in a special section at Staples. I'll not write more about it here though because it's tiring to write about. If you want to know more about it, I'd recommend Jesse Brown, because he's not bored with it. He likes politics and then, of course, it must be exciting to be the under-dog journalist that breaks the story. 

I have a flaw which is that I don't care about politics unless they've aged. The saga of-the-moment, the actors on stage right now, they don't matter to me except superficially. I vote mostly un-enthusiastically. The present state of things is too near. I'm psychologically short-sighted. 

In an episode of Canadaland, Jesse Brown reflected on whether or not the scandal would mean anything to Canadians, whether it would bring down the prime minister or whether it would be passed over. 

I lived with a woman who was constantly attributing meaning to things. It reassured her that the world was ending but it made me distrustful of her interpretations. 

I recently went out with a friend almost 20 years older than I and asked her wryly if the world was ending. She scoffed and said there had been far worse before. She’s from Europe, I thought. Our New World problems seem like insignificant prefaces compared to the multi-volume major events that have happened on her side of the ocean. It is confusing right now to be caught between these two poles, one which declares that all is doomed and the other which counters that all these events are but a bump in the road.

On The Daily podcast, there was an interview with a reporter named Zeeshan Aleem who remarked that Twitter, like other social media platforms, "rewards absolute claims (...) simple sort of black and white, good and evil allegories and binaries and strong declarations of truth that leave little room for interpretation." 

Historians, in contrast, love interpretation and context and nuance. When the world has forgotten what has happened today, I will, with all my grey hairs, emerge from an archive, and revive for them the context. In the meantime, in this present in which I can't be bothered to care much about our prime minister, I’m busy instead with the immediacy of household tasks.

076-Nature

I am reading Mary Oliver's collection of essays titled Upstream. She writes with such meticulous word choice that it makes me want to write about similar subjects just to see whether or not I would be able to paint similarly beautiful tableaux. I'm transported into countrysides, where she guides me into watchful observations. From my chair in the garage studio I see foxes, ducks, turtles, trees and flowers. 

Then I am startled by a fly that drops from the windowsill it was knocking against and lands with the noticeable weight of its iridescent blue body on my knee. Its exhaustion has made it sticky. 

When I look up to the ceiling, there is a square-bodied spider the size of a push-pin sitting immobile next to its torn and dusty web. One of those pretty bugs with a body the shape of a teeny-tiny tear drop and antenna that curve gracefully in front of it, bumps into the spider in its meanderings. But the spider doesn't move, supposedly uninterested in this kind of bug. 

Mary Oliver writes about being vegetarian by contemplating our need for food, and by extension, all animals' need for food. In one scene she describes unearthing some turtle eggs and eating them for a meal. Her descriptions create such a sense of intimacy that I worry she might see the queasiness on my face.

The bug presence in the garage sometimes makes me feel like one is caught in my hair, or crawling along my temple. I've been raised in sanitized environments. I wonder sometimes where all the nuisance bugs are in Oliver's nature rambles.

075-Docu-series

I've just begun listening to the Netflix series by Latif Nasser called Connections. Watching it reminds me of the feeling I had watching another documentary series on the same platform a few years ago. Information is all neat and organized and bite-size. I’m happy to see other people at work in other parts of the world; a woman who specializes in pre-historic human feces, a man who collects weevils in nets, out in the forest with his yellow notebook. 

I feel inspired by these people who have carved for themselves a little space and brought something to our attention. 

On the reverse of this awe, is also despair. Look how we are just beginning to understand the connections between the actions we take and their effects on nature. Nature! Our small human endeavours uncover facets and phenomena while climate change is happening and things feel irretrievable. What have we not already missed?

074-Journey

Perhaps like most people, I feel both envy and admiration for those who practice the same craft I do. In a self-pitying mood, I recognize the tendency toward over-simplification. Take Craig Mod’s road to authorship for example. It looks like magic from here. But no. In an interview with Offscreen Magazine he says: “I wouldn’t wish my journey to that point on anyone. It was a pretty shitty (a self-imposed kind of shitty, an of-the-own-mind kind of shitty) journey, and in hindsight, there were definitely easier roads which I chose not to take for whatever reasons. It was not an overnight success story.”

The boys are talking noisily outside because they’ve been given the task of getting the dog to pee by the apple tree. They are amused and a little afraid of his unpredictable puppy antics. One of the boys tries to entice him toward the tree by crinkling an old water bottle in which the dog is completely disinterested. He pees but not at the tree, and now there is an eruption of squeals and laughter, because, I suppose, he’s decided to run around in the backyard. 

This is the life our house is bursting with right now. I struggle to remember even five years back, or ten years back. My brother and his wife are buying an exer-saucer for their son and I was startled to realize that not so long ago it was a permanent feature in our downstairs bathroom, so that one of us could take a shower while the baby was entertained. 

I read an essay by Daniel Mendelsohn titled “Not Afraid of Virginia Woolf” in which he compares Mrs Dalloway (the novel) to The Hours (the film adaptation). He writes that in the film, one of the characters named Laura “decided to abandon her family after the birth of her

second child” only to move to Toronto to become a librarian. He concludes that it’s an example of the women being strong, “who choose life, who survive.” But I don’t believe him, or rather, I don’t believe the film-maker’s idea of women being strong. After all, Mendelsohn writes, “what the makers of the film are doing, it occurs to you, is exactly what Woolf worried that men did in their fictional representations of women: [they are] seeing women from the perspective of men.” 

In a podcast interview with Ann Patchet, the hosts get into the details of a novel this author wrote and finished and discarded because she knew it was bad. “How?” they asked her. She answered: What I realized is that women can't be forgiven for leaving their children for spiritual reasons. (...) I was operating from an intellectual point of view and not an emotional one... and not thinking 'what would this actually be like'. (26:15 minutes in).

I am writing from here. My view contains family. And each time I’m tempted to write “excuse the family; excuse the mess and distraction and noise” I have to stop. It’s not fair to the family or myself.

073-We talk

We talk about her husband in the care home, about how she found another resident's robe and shirt and shorts and socks in his drawer because he and this other resident have similar names. She talks about how he was being served meals in his room, how they put two heavy chairs in the tiny space and scuffed the edges of the black tv table she had bought. She talks about how two frames - one their picture as a couple married 60 years now, and the medal that was his mother's - were found under the bed. It means, she says, that they hadn't vacuumed there in a week. She says she talked to the social worker there and said all kinds of things and that the social worker took notes. He should not eat alone, she said to her, and I told the aid yesterday and today he’s still eating alone. It’s like they don’t listen, she tells me. They always say they’ll write it down, write it down, and nothing changes! And they washed his pants with his wallet in them! All the pictures of the kids, ruined! They washed the other wallet, and this one was new, and they washed this one too. They don’t think to check the pockets? 

She’s tired from having voiced her exasperation to them earlier.

If I won the lotto, the sweepstakes, she says, I’d hire a nurse for the nights and use homecare for the day and he’d stay here. The nurse would be for nights because I can’t help him if he falls, she says. We talk about the nuns in the olden days when care was better. I make a joke about an imaginary file, six inches thick with notes. We hug goodbye because we can.

As I leave, she calls down from the balcony, aren’t the flowers nice? Yes! I say. Beautiful!

072-Bigger

The other day I took our puppy for a walk at the park across the road in order to tire him before supper. Walking a puppy begins with the idea that the activity will be fun and will proceed well, but not five minutes in, you remember just how frustrating it is to walk a puppy. It has nothing to do with walking. It is interval training with fast and slow speeds, it is the twist and shout with leash tangles and leave-it commands. It is investigative discovery where smells hide far over to the side of the pathway. It is shadow tag with other people walking where you catch up, pass, and then fall humblingly behind because your puppy who was walking well 10 seconds ago has decided to become a puppy-mop braced so firmly that there are skid marks behind him as if to say "it's all too important to continue with this pedestrian exercise".

That day a crowd had formed and my determination was to walk the puppy discreetly. Instead, the puppy was a little center of attention, eliciting comments and pettings and ruining the efficiency and quiet I had imagined. We reversed course when it became obvious that the pup and I could not outpace the people. Alone we took a meandering path full of smells and looked at the river glide by. People stress me and I deal with that by hiding or by outrunning them. A puppy puts the kaibosh to such plans. 

At the park entrance there was a table with two frames of a tiny baby in his parents' arms. He looked fragile like a bird in a nest before its eyes open. A pile of cutout stars had handwritten wishes on them. The crowd was a memorial one, a supporting one... The couple I passed with a teddy bear in her hands, was a grieving one. I felt guilty about according importance to my story when theirs was bigger.